So that’s basically the kickoff of the Kyoshi books, all because the original creators put care and attention to a short scene in the show. And then you wonder if there was ever a failure to reach a conclusion or a false positive. And then you start wondering whether they also revolve around statistical improbability.
But that means the other nations probably have their own methods. We see how Aang is discovered as the Avatar in a brief moment of world-building richness. Yee: The creative process revolved around taking the slices of the wonderfully fleshed-out world we see in the show and trying to figure out what they could logically imply in the realm of a book. What has that process been like creatively? Is there quite a bit of freedom in terms of the details you come up with? Do you need to check with anyone when you invent something like melonyams?į.C.
RELATED: Exclusive Excerpt From Avatar: The Last Airbender - The Shadow Of KyoshiĬBR: Unlike your previous projects, the Kyoshi novels were an expansion on a pre-existing world rather than a wholly unique creation.
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